Proceedings of the 4th International Conference on Linguistics and Culture (ICLC-4 2023)

Transformation of the Lancang Kocik Folk Song Symbol of the Sakai Tribe for the Creative Industry as an Effort for Sustainable Cultural Preservation

Authors
Listi Mora Rangkuti1, *, Inriati Lewa1, Muhammad Hasyim1
1Faculty of Cultural Sciences, Hasanuddin University, Makassar, Indonesia
*Corresponding author. Email: listimorarangkuti@gmail.com
Corresponding Author
Listi Mora Rangkuti
Available Online 22 May 2024.
DOI
10.2991/978-2-38476-251-4_34How to use a DOI?
Keywords
Lancang Kocik; symbol transformation; creative industry; and sustainable culture
Abstract

Lancang Kocik Folk Songs (NRLK) originated among the Sakai Tribe, who live in Petani Village, Riau Province. Essentially, this song is an introduction to work and is utilized as a song of pride since it contains a natural identity, real historical proof as an indigenous Riau tribe, and is a reminder of sustainable ecology and culture. NRLK’s existence, however, is no longer sustained because natural conditions have switched to corporate ownership. Automatically, changes in nature mean that the culture of the Sakai tribe, which is reflected in the NRLK, also transforms. Seeing this tendency, this study was designed to discover the transformation of NRLK from fishermen’s songs to a symbol in the form of a “small canoe” design to investigate the possibilities of creative industries. As part of the attempt to conserve culture, NRLK is expected to have cultural tourism potential as a result of this transformation. The research method employed was qualitative, using a semiotic and creative industry perspective. Data was gathered in phases, including observation, recording, literature review, interviews, and documentation. The findings of this study are as follows: (1) Through analysis of symbols that are a form of NRLK transformation, it can revive the creative economy, particularly the cultural tourism sector; (2) Furthermore, through analysis of the NRLK symbol, it can be used as a typical Sakai tribe batik motif; and (3) Production of batik with the “Lancang Kocik” motif can be used as a souvenir or souvenir typical of the Sakai tribe when on a cultural tour to Petani Village.

Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 4th International Conference on Linguistics and Culture (ICLC-4 2023)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
22 May 2024
ISBN
978-2-38476-251-4
ISSN
2352-5398
DOI
10.2991/978-2-38476-251-4_34How to use a DOI?
Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Listi Mora Rangkuti
AU  - Inriati Lewa
AU  - Muhammad Hasyim
PY  - 2024
DA  - 2024/05/22
TI  - Transformation of the Lancang Kocik Folk Song Symbol of the Sakai Tribe for the Creative Industry as an Effort for Sustainable Cultural Preservation
BT  - Proceedings of the 4th International Conference on Linguistics and Culture (ICLC-4 2023)
PB  - Atlantis Press
SP  - 236
EP  - 242
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-251-4_34
DO  - 10.2991/978-2-38476-251-4_34
ID  - Rangkuti2024
ER  -