Proceedings of the 2024 6th International Conference on Literature, Art and Human Development (ICLAHD 2024)

The Emergence and Development of “Shihua” from the Perspective of Bibliographies

Authors
Hsuehlun Liu1, *, Shuhua Lin2
1Associate Professor, School of Literature and Communication, Shaoguan University, Shaoguan, Guangdong Province, China
2Teacher, School of Literature and Communication, Shaoguan University, Shaoguan, Guangdong Province, China
*Corresponding author. Email: blackmoreliu@qq.com
Corresponding Author
Hsuehlun Liu
Available Online 14 December 2024.
DOI
10.2991/978-2-38476-319-1_11How to use a DOI?
Keywords
Shihua; Poetry talks; Bibliography; Catalog; Poetry and related events; Poetry and Rhetoric
Abstract

Shihua (poetry talks), categorized into two major schools: the Ouyang School, centered around Ouyang Xiu's Liuyi Shihua, primarily focusing on poetry and related events; and the Zhong School, centered around Zhong Rong's Shipin, mainly discussing poetry and rhetoric. The initial emergence of Shihua is closely related to historical records and notes in terms of content, form, and creative mentality. Since historical records and notes belong to the genre of note-taking literature, they have been consistently included in the Zibu-Xiaoshuojialei of bibliographies. The first work to categorize “Shihua” was the Songshi-Yiwenzhi, which, according to the form and content of Shihua, respectively listed them under the Zibu-Xiaoshuojialei and Jibu-Wenshilei. This categorization implies that during the Song and Yuan dynasties, people's understanding of Shihua was not clear enough, and the classification was not rigorous enough, leading to the omission of “one type of work listed under two categories”. After the Southern Song Dynasty, the development of Shihua gradually leaned towards the Zhong School, with the vast majority focusing primarily on poetic analysis and rhetoric, a trend even more pronounced in the Ming and Qing dynasties. By then, it was already clear to people that Shihua was primarily a poetic critique work based on poetic theory, hence its classification in bibliographies under the Jibu-Wenshilei or Jibu-Shiwenpinglei.

Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 2024 6th International Conference on Literature, Art and Human Development (ICLAHD 2024)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
14 December 2024
ISBN
978-2-38476-319-1
ISSN
2352-5398
DOI
10.2991/978-2-38476-319-1_11How to use a DOI?
Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Hsuehlun Liu
AU  - Shuhua Lin
PY  - 2024
DA  - 2024/12/14
TI  - The Emergence and Development of “Shihua” from the Perspective of Bibliographies
BT  - Proceedings of the 2024 6th International Conference on Literature, Art and Human Development (ICLAHD 2024)
PB  - Atlantis Press
SP  - 99
EP  - 108
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-319-1_11
DO  - 10.2991/978-2-38476-319-1_11
ID  - Liu2024
ER  -