Proceedings of the 2024 6th International Conference on Literature, Art and Human Development (ICLAHD 2024)

A comparative study of the music and dance culture of the western regions from the northern dynasties to the sui dynasty and the tang dynasty in the context of the silk road

Authors
Yijuan Pan1, *, Jing Gu1, Rui Chu1
1College of Electronic Engineering, Xi’an University of Posts and Telecommunications, Xi’an, China
*Corresponding author. Email: 2202210144@stu.xupt.edu.cn
Corresponding Author
Yijuan Pan
Available Online 14 December 2024.
DOI
10.2991/978-2-38476-319-1_6How to use a DOI?
Keywords
Silk Road; Music and Dance Arts; Cultural Heritage
Abstract

By comparing the music and dance cultures of the Western regions from the Northern Dynasties to the Sui Dynasty and the Tang Dynasty, this paper explores the deep intermingling of Chinese and Western cultures in the context of the Silk Road and its manifestation in the art of music and dance. The music and dance in the period from the Northern Dynasties to the Sui Dynasty mainly showed the influence of religious ceremonies and national life, while the Tang Dynasty reached the peak of cultural exchanges, and the art of music and dance was more diversified, and the fusion of foreign cultures with the Chinese culture was closer. Through comparative analyses of the types of music and dance, the use of musical instruments, and the costumes of the dancers in the two periods, this paper reveals the important role of the Silk Road in promoting the fusion of Chinese and Western cultures, and highlights the significance of the art of music and dance as a cultural heritage. This comparative study not only provides us with an in-depth understanding of the evolution of Chinese and Western cultures in different historical periods, but also provides historical reference for contemporary cultural and artistic creations.

Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 2024 6th International Conference on Literature, Art and Human Development (ICLAHD 2024)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
14 December 2024
ISBN
978-2-38476-319-1
ISSN
2352-5398
DOI
10.2991/978-2-38476-319-1_6How to use a DOI?
Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Yijuan Pan
AU  - Jing Gu
AU  - Rui Chu
PY  - 2024
DA  - 2024/12/14
TI  - A comparative study of the music and dance culture of the western regions from the northern dynasties to the sui dynasty and the tang dynasty in the context of the silk road
BT  - Proceedings of the 2024 6th International Conference on Literature, Art and Human Development (ICLAHD 2024)
PB  - Atlantis Press
SP  - 48
EP  - 55
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-319-1_6
DO  - 10.2991/978-2-38476-319-1_6
ID  - Pan2024
ER  -