Proceedings of the 2023 5th International Conference on Literature, Art and Human Development (ICLAHD 2023)

Naturalism in Leonardo Da Vinci and Durer’s Work

Authors
Yingtian Xia1, *
1English Literature, Shanghai International Studies University, Shanghai, 200060, China
*Corresponding author. Email: xiayingtian@shuyingacademy.com
Corresponding Author
Yingtian Xia
Available Online 31 December 2023.
DOI
10.2991/978-2-38476-170-8_8How to use a DOI?
Keywords
Naturalism; Leonardo da Vinci; Albrecht Durer; Renaissance; Art History
Abstract

Naturalism has become an increasingly important part of European art since the fourteenth century, thanks to the Renaissance movement. Following extensive research into various works from various periods, it was discovered that Renaissance artists began to make paintings more realistic by studying various natural sciences, reflecting changes in mainstream social thinking at the time. This paper examines the representation of naturalism in the works of two Renaissance artists, Leonardo da Vinci and Albrecht Durer. Both artists were known for their meticulous observation and depiction of nature, and their works reflect the cultural and intellectual shift towards a more humanistic understanding of the world. Through an analysis of selected paintings and drawings, this paper explores the ways in which da Vinci and Durer portrayed natural phenomena, including light, shadow, texture, and anatomy. It also considers the philosophical and aesthetic implications of their naturalistic style, such as the emphasis on empirical observation and the ideal of beauty as an expression of truth. By examining the convergences and divergences between da Vinci and Durer’s approaches to naturalism, this paper illuminates the complex relationship between art and science in the Renaissance period.

Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 2023 5th International Conference on Literature, Art and Human Development (ICLAHD 2023)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
31 December 2023
ISBN
978-2-38476-170-8
ISSN
2352-5398
DOI
10.2991/978-2-38476-170-8_8How to use a DOI?
Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Yingtian Xia
PY  - 2023
DA  - 2023/12/31
TI  - Naturalism in Leonardo Da Vinci and Durer’s Work
BT  - Proceedings of the  2023 5th International Conference on Literature, Art and Human Development (ICLAHD 2023)
PB  - Atlantis Press
SP  - 65
EP  - 72
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-170-8_8
DO  - 10.2991/978-2-38476-170-8_8
ID  - Xia2023
ER  -