The Art of “Chakedahun” in the Poetic Drama Themed with Buddhism Deliverance in the Ming Dynasty: Taking Zen Master Yu and Red Lotus as Examples

DOI

10.2991/assehr.k.211120.032How to use a DOI?

Keywords

drama; Chakedahun; Buddhism deliverance; vulgarity; elegance

Abstract

“Chakedahun” (comical language and actions) is an indispensable part of Chinese opera. In recent years, researches have focused on “Chakedahun” in Yuan poetic drama and Ming legendary opera, while ignoring the use of “Chakedahun” in Ming poetic drama. Furthermore, compared with common Ming poetic drama, the use of “KeHun” in drama themed with Buddhism deliverance has some unique characteristics. Therefore, this paper, would like to fill the gap and provide a special perspective for the study of the “KeHun” in “Ming Buddhism deliverance poetic drama” through a specific comparison and analysis of the “Chakedahun” in Red Lotus Debt and Zen master Yu. And in this process, this article will focus on the principle of “Chakedahun” and the methods of changing from vulgarity to elegance. Finally, this article will summarize the characteristics of the “Chakedahun” in “Ming Buddhism deliverance poetic drama”.

Copyright

© 2021 The Authors. Published by Atlantis Press SARL.

Open Access

This is an open access article under the CC BY-NC license.

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TY  - CONF
AU  - Wang Yuhui
PY  - 2021
DA  - 2021/11/29
TI  - The Art of “Chakedahun” in the Poetic Drama Themed with Buddhism Deliverance in the Ming Dynasty: Taking Zen Master Yu and Red Lotus as Examples
BT  - Proceedings of the 2021 3rd International Conference on Literature, Art and Human Development (ICLAHD 2021)
PB  - Atlantis Press
SP  - 172
EP  - 175
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.211120.032
DO  - 10.2991/assehr.k.211120.032
ID  - Yuhui2021
ER  -