A Comparative Analysis of Daozhen Nuo Dance and Yongjing Nuo Dance From the Perspective of Intangible Heritage

DOI

10.2991/assehr.k.201215.518How to use a DOI?

Keywords

Intangible heritage, Nuo dance, Inheritance

Abstract

Through “The Origin of Art”, Grosse expressed his personal understanding of “dance”, and believed that primitive dance was the best embodiment of human aesthetic emotions in the early days. This statement shows Grosse’s cognition and attitude towards the true meaning of primitive dance, and at the same time it is also an identification of the value of primitive dance. Nuo dance occupies an important position in primitive dance, which not only provides support for domestic drama culture research, but also provides guarantee for ancient culture research. In the comparative analysis of the representative Nuo dance “Daozhen Nuo dance” and “Yongjing Nuo dance” in two different regions of my country, this article looks for commonalities, and proposes and solves the current Nuo dance from the perspective of intangible heritage. How to inherit and develop.

Copyright

© 2020, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Download article (PDF)

TY  - CONF
AU  - Xueliang Zong
PY  - 2020
DA  - 2020/12/17
TI  - A Comparative Analysis of Daozhen Nuo Dance and Yongjing Nuo Dance From the Perspective of Intangible Heritage
BT  - Proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020)
PB  - Atlantis Press
SP  - 649
EP  - 653
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.201215.518
DO  - 10.2991/assehr.k.201215.518
ID  - Zong2020
ER  -