Dramatic Sounds: Composing Perspective of Comparison Between Händel and Lachenmann

DOI

10.2991/978-2-38476-094-7_20How to use a DOI?

Keywords

composing techniques; Händel; Helmut Lachenmann; orchestration

Abstract

This article presents a new perspective on two different works from two different composers. We will compare two very different works- “Empio dirò tu sei”, HWV 17 (1724), from the opera “Giulio Cesare”, no. 3, and “Kontrakadenz” (1970–1971) for full Orchestra from Helmut Lachenmann. The study is analyzed in terms of technical analysis of the composition, meanwhile discussing the limitations of composing as well as the value of dissemination. Use critical and dialectical thinking to further compare the stylistic characteristics of Händel and Lachenmann’s work in the context of the material learned from the work.

Copyright

© 2023 The Author(s)

Open Access

Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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TY  - CONF
AU  - Liuyiyi Yang
PY  - 2023
DA  - 2023/08/29
TI  - Dramatic Sounds: Composing Perspective of Comparison Between Händel and Lachenmann
BT  - Proceedings of the 4th International Conference on Language, Art and Cultural Exchange (ICLACE 2023)
PB  - Atlantis Press
SP  - 170
EP  - 177
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-094-7_20
DO  - 10.2991/978-2-38476-094-7_20
ID  - Yang2023
ER  -