Insurmountable Gap-- The Embodiment of Confucian Morality in Landscape Painting

DOI

10.2991/assehr.k.210609.092How to use a DOI?

Keywords

landscape painting, morality, ethics, travel map of streams and mountains

Abstract

The creation of Chinese landscape painting is described through the content and form of its picture, which often contains the values and spirit of the author and his contemporaries, as well as the moral concept of the era in which the author lives. It is through its unique form of expression and carefully intercepted picture content that landscape painting also plays its educational function in the process of history. The Picture of Journey through Brooks and Mountains is Fan Kuan’s masterpiece (950-1032). This paper analyzes the ideological background, expressive techniques, constituent elements and picture content, and excavates the moral ideas hidden in the picture narrative from the ideological dimension of Confucian ethics.

Copyright

© 2021, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Jiang Runyu
PY  - 2021
DA  - 2021/06/10
TI  - Insurmountable Gap-- The Embodiment of Confucian Morality in Landscape Painting
BT  - Proceedings of the 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021)
PB  - Atlantis Press
SP  - 462
EP  - 465
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.210609.092
DO  - 10.2991/assehr.k.210609.092
ID  - Runyu2021
ER  -