From The Painted Veil to Its Screen Version: The Changing Journey of Salvation and the Unchanging Spiritual Destination

DOI

10.2991/assehr.k.210609.030How to use a DOI?

Keywords

The Painted Veil, William Somerset Maugham, film adaption, haptic visuality, narratology

Abstract

In the film adaptation of Maugham’s novel The Painted Veil, the film and television presentation of the protagonist’s psychological activities and the change of the protagonist’s image are two issues worth exploring. Based on the theory of haptic visuality and narratology, this paper focuses on the redemption journey of the heroine and explores the heroine’s psychological changes and the image of the hero in the film.

Copyright

© 2021, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Yitong Pan
PY  - 2021
DA  - 2021/06/10
TI  - From The Painted Veil to Its Screen Version: The Changing Journey of Salvation and the Unchanging Spiritual Destination
BT  - Proceedings of the 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021)
PB  - Atlantis Press
SP  - 148
EP  - 153
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.210609.030
DO  - 10.2991/assehr.k.210609.030
ID  - Pan2021
ER  -