Application of Space Consciousness in Craft Carving - Taking Huian Stone Carving as an Example

DOI

10.2991/assehr.k.210609.047How to use a DOI?

Keywords

craft carving, Huian, space

Abstract

Craft carving is an art with a long history. From carving hunting tools in the stone age to daily utensils in Yangshao culture, to exquisite decorations in the Ming and Qing Dynasties, craft carving is closely related to the daily life of the broad masses of the people; Huian, China, is the capital of stone carving in the world. Its 1600 years of carving inheritance plays an important role in contemporary stone carving; Craft carving and sculpture are interlinked, but different from sculpture. They are all studying the art of three-dimensional space. Space is composed of positive space, that is, noumenon space and negative space. This paper will connect negative space consciousness with craft carving, so as to broaden the space consciousness of craft carving to a great extent and make its works more possible and accidental.

Copyright

© 2021, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Download article (PDF)

TY  - CONF
AU  - Lin Zibo
AU  - Hu Jiawei
PY  - 2021
DA  - 2021/06/10
TI  - Application of Space Consciousness in Craft Carving - Taking Huian Stone Carving as an Example
BT  - Proceedings of the 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021)
PB  - Atlantis Press
SP  - 237
EP  - 240
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.210609.047
DO  - 10.2991/assehr.k.210609.047
ID  - Zibo2021
ER  -