Analysis of Post-Feminism in Chinese Background-Based Chick Flick

DOI

10.2991/assehr.k.220504.131How to use a DOI?

Keywords

Post-feminism; Chinese Chick Flick; Feminism awareness

Abstract

Based on the background of the 2010s’movie industry, this essay aims to analyze the Chinese Chick Flick of that time to explore the feminism part of those movies. To answer whether there is feminist thought in Chinese Chick Flick films, the writer has analyzed the details of these movies and compared them under the perspectiveof post-feminism. Typical cases are picked out for further exploration to find out the unique characteristics and influences of Chinese Chick Flicks. Besides, the period of selected Chinese Chick Flick films are in 2000s and 2010s. From all the analyses that are done in this essay, it is easy to conclude that the Chinese Chick Flick always contains the concept of post-feminism, which is also written as consumerist pseudo-feminism in this essay. As a continuation of the conclusion, the certain hypothesis of the purposes of these kinds of movies is listed at the end of this essay.

Copyright

© 2022 The Authors. Published by Atlantis Press SARL.

Open Access

This is an open access article distributed under the CC BY-NC 4.0 license.

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TY  - CONF
AU  - Yuhong Chen
PY  - 2022
DA  - 2022/06/01
TI  - Analysis of Post-Feminism in Chinese Background-Based Chick Flick
BT  - Proceedings of the 2022 8th International Conference on Humanities and Social Science Research (ICHSSR 2022)
PB  - Atlantis Press
SP  - 710
EP  - 714
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.220504.131
DO  - 10.2991/assehr.k.220504.131
ID  - Chen2022
ER  -