Zhu Xi’s influence on Song and Yuan calligraphy

DOI

10.2991/assehr.k.210519.095How to use a DOI?

Keywords

Zhu Xi, Song and Yuan calligraphy, influence

Abstract

This paper provides an in-depth analysis of Zhu Xi’s thought on calligraphy and fully explains the influence of Zhu Xi’s calligraphy on the thoughts and works of calligraphers in the Song and Yuan dynasties. Zhu Xi’s thoughts on calligraphy, such as Fagu, Changli, Daotong, and Yazheng have been shown in the works of many later generations of calligraphers. The Song dynasty’s Wei Liaoweng and the Yuan dynasty’s Zhao Mengfu all drew from Zhu Xi’s theories and practices. Zhu Xi’s ideas on calligraphy are in line with the ethical and moral as well as ruling order concerns of today’s society, and are conducive to the cultivation of an ideal personality and the spirit of moral self-discipline today.

Copyright

© 2021, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Weiwei Qin
AU  - Hongwei Si
AU  - Yun Chen
PY  - 2021
DA  - 2021/05/20
TI  - Zhu Xi’s influence on Song and Yuan calligraphy
BT  - Proceedings of the 7th International Conference on Humanities and Social Science Research (ICHSSR 2021)
PB  - Atlantis Press
SP  - 477
EP  - 480
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.210519.095
DO  - 10.2991/assehr.k.210519.095
ID  - Qin2021
ER  -