The Review of Primitivism and Approve of Imagination: Research on the Art Criticism of Roger Fry

DOI

10.2991/assehr.k.210519.112How to use a DOI?

Keywords

Roger Fry, Primitivism, Imagination, Post-Impressionism

Abstract

In the early twentieth century, the post-impressionist painting exhibition was held at The Grafton Gallery for the first time. With the exhibition of the works of these painters, there were many voices from the public, which inevitably brought voices of opposition. In this controversy, as the defender of the post-impressionists, Roger Fry (1866-1934) left a very important art criticism in the history of art criticism. His critical practice is a classic in the history of art that embodies Fry’s unique aesthetic thought with modernism and creates a new research paradigm for modern aesthetics. This is not only of great significance for our understanding of formalist aesthetics, but also a valuable material for the study of formalist aesthetics.

Copyright

© 2021, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Siru Liu
PY  - 2021
DA  - 2021/05/20
TI  - The Review of Primitivism and Approve of Imagination: Research on the Art Criticism of Roger Fry
BT  - Proceedings of the 7th International Conference on Humanities and Social Science Research (ICHSSR 2021)
PB  - Atlantis Press
SP  - 556
EP  - 561
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.210519.112
DO  - 10.2991/assehr.k.210519.112
ID  - Liu2021
ER  -