Proceedings of the 2015 3rd International Conference on Education, Management, Arts, Economics and Social Science

The Impressionistic Expression Technique in Shakespeare's Comedy "Much Ado About Nothing"

Authors
Hao Yan
Corresponding Author
Hao Yan
Available Online December 2015.
DOI
10.2991/icemaess-15.2016.191How to use a DOI?
Keywords
Shakespeare; "Much Ado About Nothing"; Impressionistic; Comedy
Abstract

"Much Ado About Nothing" is a mature comedy of Shakespeare, which has a unique style and strong artistic appeal. Shakespeare has a bright present as "the great psychologist" in the play, and he understands and deals with the contradiction of love from psychological point of view, which makes the impossible possible, and shows the comedy skills of the genius. In addition, the multiple application of illusion is the feature of this comedy. Using the dislocation of truth and illusion rendering to create comedy is the show's unique style, thus forming a different style. This paper explores the impressionistic expression technique in Shakespeare's comedy "Much Ado About Nothing".

Copyright
© 2016, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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Volume Title
Proceedings of the 2015 3rd International Conference on Education, Management, Arts, Economics and Social Science
Series
Advances in Social Science, Education and Humanities Research
Publication Date
December 2015
ISBN
978-94-6252-155-1
ISSN
2352-5398
DOI
10.2991/icemaess-15.2016.191How to use a DOI?
Copyright
© 2016, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Cite this article

TY  - CONF
AU  - Hao Yan
PY  - 2015/12
DA  - 2015/12
TI  - The Impressionistic Expression Technique in Shakespeare's Comedy "Much Ado About Nothing"
BT  - Proceedings of the 2015 3rd International Conference on Education, Management, Arts, Economics and Social Science
PB  - Atlantis Press
SP  - 915
EP  - 917
SN  - 2352-5398
UR  - https://doi.org/10.2991/icemaess-15.2016.191
DO  - 10.2991/icemaess-15.2016.191
ID  - Yan2015/12
ER  -