The Atmosphere Linkage of the Perceived Experience in Installation Art of the Exhibition Space

DOI

10.2991/assehr.k.191217.219How to use a DOI?

Keywords

installation art, display space, perceived experience, multi-dimensional experience

Abstract

In contemporary society, the level of installation art is uneven, and more and more installation arts produce commoditized products with aesthetic fatigue that cater to the market and commercial aesthetics. At the same time, there are some installation art that look abstruse and hard to understand, but the theme is not clear, pale and has no connotation. The art of installation itself should be attended by the whole people. It is different from traditional easel art and can be perceived by the audience in the time and space dimensions and can interact with the audience. This article takes the work of the famous Danish artist Olafur Eliasson as an example to explore the application of installation art in the exhibition space, and then analyze the significance of perceptual feeling in the installation art.

Copyright

© 2020, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Qiangqiang Luo
PY  - 2020
DA  - 2020/02/14
TI  - The Atmosphere Linkage of the Perceived Experience in Installation Art of the Exhibition Space
BT  - Proceedings of the 6th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2019)
PB  - Atlantis Press
SP  - 704
EP  - 707
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.191217.219
DO  - 10.2991/assehr.k.191217.219
ID  - Luo2020
ER  -