Proceedings of the 5th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2018)

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Analysis on the Embodiment of Sichuan Han Folk Songs in the New Sichuan Opera High-pitched Tune Music Taking “Bashan Xiucai”, “Jin Zi” and “Jiang Jie” as an Example

Authors
Fan Jing
Corresponding Author
Fan Jing
Available Online December 2018.
DOI
10.2991/icelaic-18.2018.135How to use a DOI?
Keywords
folk songs; Sichuan opera high-pitched tune; music
Abstract

In the long process of development of Sichuan opera, it absorbs the elements of local folk music and culture, and presents the vocal art with local characteristics in Sichuan. From traditional Sichuan opera music to newly compiled Sichuan opera music, no matter in music creation, band composition or vocal singing, Sichuan opera music has been modernized. Whether it is traditional Sichuan opera music or newly compiled Sichuan opera music, it will be found that the creation of high-pitched Sichuan opera music is the majority, and the musical elements of Sichuan Han folk songs can often be heard in these high-pitched music. For example: Sichuan opera "Bashan Xiucai" prelude music on the use of Sichuan folk songs "Jianjian Shan" music melody; The tunes in Sichuan opera "Shangangye" are based on the musical elements of Sichuan folk song "Beier song" and so on. Taking some newly compiled Sichuan dramas as an example, the author analyzes the elements of Sichuan Han folk songs used in the creation of high-pitched tune music, and understands the modernization development of Sichuan opera high-pitched tune music.

Copyright
© 2018, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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Volume Title
Proceedings of the 5th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2018)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
December 2018
ISBN
978-94-6252-641-9
ISSN
2352-5398
DOI
10.2991/icelaic-18.2018.135How to use a DOI?
Copyright
© 2018, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Cite this article

risenwbib
TY  - CONF
AU  - Fan Jing
PY  - 2018/12
DA  - 2018/12
TI  - Analysis on the Embodiment of Sichuan Han Folk Songs in the New Sichuan Opera High-pitched Tune Music Taking “Bashan Xiucai”, “Jin Zi” and “Jiang Jie” as an Example
BT  - Proceedings of the 5th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2018)
PB  - Atlantis Press
SP  - 632
EP  - 636
SN  - 2352-5398
UR  - https://doi.org/10.2991/icelaic-18.2018.135
DO  - 10.2991/icelaic-18.2018.135
ID  - Jing2018/12
ER  -