Demands in "Existence" and Carnival from "Trash Talking" Analysis on the Audience's Psychology of Bullet-screen Movie

DOI

10.2991/icelaic-17.2017.107How to use a DOI?

Keywords

bullet-screen; audiences; discourse power; psychology

Abstract

From an online communicating mode of video website to a new mode of filmwatching, "Bullet-screen" has realized its transformation from the context of "Otaku Culture" to public communication space. The emergence of the "Bullet screen" projecting mode embodied the audience's appeal of identity, existence and discourse power in the background of post-modernism context. But why did "Bullet-screen film" used to become a cultural boom and then receded soon? This article will put "Bullet-screen film" into the context of "Aestheticalization of daily life" and "Aesthetic fragmentization", and analyze the psychological impact of audiences in the mode of "Bullet-screen" in the view of sociology and culturology. Nevertheless, through discussion and analysis on the coupling mechanism between "Bullet-screen" which as a projecting mode and "film" which as a category of arts, this article will also explore the developme

Copyright

© 2017, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Xiaoping Liu
AU  - Linlang Lu
PY  - 2017/12
DA  - 2017/12
TI  - Demands in "Existence" and Carnival from "Trash Talking" Analysis on the Audience's Psychology of Bullet-screen Movie
BT  - Proceedings of 4th International Conference on Education, Language, Art and Intercultural Communication (ICELAIC 2017)
PB  - Atlantis Press
SP  - 474
EP  - 477
SN  - 2352-5398
UR  - https://doi.org/10.2991/icelaic-17.2017.107
DO  - 10.2991/icelaic-17.2017.107
ID  - Liu2017/12
ER  -