The First Wave: Chinese Film Music in the 1930s

DOI

10.2991/icelaic-15.2016.125How to use a DOI?

Keywords

left-wing cinema; artistic movement; film music technology; characteristic

Abstract

Chinese cinema experienced a new epoch from 1932 to 1937: known as the left wing cinematic period. Almost a hundred films came into being during this period, which took on the instructive meaning of anti-imperialism and anti-feudalism. This paper highlights the experience of Chinese film music in Shanghai left-wing cinema; Chinese film music as the national arts movement in the 1930s. This paper also takes Street Angel (1937) as a case to explore how Chinese film music technology and characteristics were developed in the 1930s.

Copyright

© 2016, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Di Liu
PY  - 2015/11
DA  - 2015/11
TI  - The First Wave: Chinese Film Music in the 1930s
BT  - Proceedings of the 2015 2nd International Conference on Education, Language, Art and Intercultural Communication
PB  - Atlantis Press
SP  - 488
EP  - 492
SN  - 2352-5398
UR  - https://doi.org/10.2991/icelaic-15.2016.125
DO  - 10.2991/icelaic-15.2016.125
ID  - Liu2015/11
ER  -