Aesthetic Study on Layout of Mr.Tian Liming’s Ink Portrait Painting

DOI

10.2991/icelaic-15.2016.94How to use a DOI?

Keywords

ink painting; layout; coloring; stroking technique; artistic ambianc

Abstract

Browsing through master Tian Liming’s works, one would be immersed in the ink world built by Mr. Tian through his using of “surrounded inking”, “blended tinting” and other drawing techniques. The layouts are graceful rather than lifeless, the coloring fresh but not dignified, the techniques of stroking are audacious instead of being tacky. Viewers could interpret peaceful and tranquil sentiments in his alternating application of light and dark, or faintly discernible ink shades. Sometimes memories are recalled by certain scenery, while private psychology beautifies the scenery in turn. Mr. Tian is skillful in converting diverse landscapes, scenery and characters into elements of his drawings. Furthermore, he conveys the cultural sentiments of traditional Ink and Wash through a visual format that is natural, smooth and possessing aura. It enlightens us to regard ink painting as the carrier of cultural inheritance, which is rather revealing to modern painters.

Copyright

© 2016, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Qing Li
PY  - 2015/11
DA  - 2015/11
TI  - Aesthetic Study on Layout of Mr.Tian Liming’s Ink Portrait Painting
BT  - Proceedings of the 2015 2nd International Conference on Education, Language, Art and Intercultural Communication
PB  - Atlantis Press
SP  - 371
EP  - 373
SN  - 2352-5398
UR  - https://doi.org/10.2991/icelaic-15.2016.94
DO  - 10.2991/icelaic-15.2016.94
ID  - Li2015/11
ER  -