The Image Analysis on Apsara and Sariputta in Vimalakirti Sutra Taking the areas of the Central China in Sui Dynasty and Dunhuang in Tang Dynasty as examples

DOI

10.2991/icelaic-14.2014.125How to use a DOI?

Keywords

Apsara and Sariputta, Central China, Dunhuang area

Abstract

This paper mainly examines the Apsara and Sariputta's performance in Vimalakirti Sutra in the central China of Sui Dynasty and Tang Dunhuang area. It believes that in Sui dynasty, the overall intention of Apsara and Sariputta's performance was vague, but it also gradually formed a fixed pattern of manifestation. In the early stage of Tang Dynasty, Dunhuang was mainly expressing the plot about the heavenly maids scattering blossoms. Later in Tang Dynasty, it added some additional changes about the Apsara and Sariputta. In this paper, based on the characters’ postures, gestures, I figured out the specific identities of the four characters and two kinds of configuration forms.

Copyright

© 2014, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Shaoshan Lu
PY  - 2014/05
DA  - 2014/05
TI  - The Image Analysis on Apsara and Sariputta in Vimalakirti Sutra Taking the areas of the Central China in Sui Dynasty and Dunhuang in Tang Dynasty as examples
BT  - Proceedings of the International Conference on Education, Language, Art and Intercultural Communication
PB  - Atlantis Press
SP  - 498
EP  - 501
SN  - 2352-5398
UR  - https://doi.org/10.2991/icelaic-14.2014.125
DO  - 10.2991/icelaic-14.2014.125
ID  - Lu2014/05
ER  -