The Application of Lens Language in Animation Film Design
Authors
Jinan Du1, Zixiao Gong2, *
1Chiang Mai University, No. 239, Huiqiao Road, Sudeci District, Chiang Mai Thailand
2London College of Communication, University of the Arts London, Elephant&Castle, London SE1 6SB, England
*Corresponding author. Email: Qqppdujinan@outlook.com
Corresponding Author
Zixiao Gong
Available Online 1 February 2022.
- DOI
- 10.2991/assehr.k.220131.128How to use a DOI?
- Keywords
- Camera language; The lens; Animation; The movie
- Abstract
Film and television language is a kind of artistic language. It directly attracts the audience’s audio-visual senses, with an intuitive, specific, bright image to convey meaning, has a strong artistic appeal. The montage produced by camera movement and different camera clips formed the rules of the composition of screen images. It improves the grammar and rhetoric rules of film and television language. Animation is a dynamic picture language, and it has its text, syntax, language changes and syntax. The addition of film and television lens language can enrich the visual effects of animation. With the development of technology, their union is becoming closer and closer.
- Copyright
- © 2022 The Authors. Published by Atlantis Press SARL.
- Open Access
- This is an open access article under the CC BY-NC license.
Cite this article
TY - CONF AU - Jinan Du AU - Zixiao Gong PY - 2022 DA - 2022/02/01 TI - The Application of Lens Language in Animation Film Design BT - Proceedings of the 2021 International Conference on Education, Language and Art (ICELA 2021) PB - Atlantis Press SP - 697 EP - 701 SN - 2352-5398 UR - https://doi.org/10.2991/assehr.k.220131.128 DO - 10.2991/assehr.k.220131.128 ID - Du2022 ER -