A Study on the Conflicts Between Industrial Culture and Individual Value and Spiritual Freedom in The Legend of 1900
Authors
Tianli Feng1, *
1University for the Creative Arts, School of Film, Media and Performing Arts, Farnham, United Kingdom, GU9 7DS
*Corresponding author. Email: 1906069@students.ucreative.ac.uk
Corresponding Author
Tianli Feng
Available Online 1 February 2022.
- DOI
- 10.2991/assehr.k.220131.185How to use a DOI?
- Keywords
- industrial culture; spiritual freedom; humanism; cinematic aesthetics; tragic philosophy
- Abstract
This paper focuses on the analysis of film not only as appreciative art creation, but also stresses its deep social context relating to that significant era based on work The Legend of 1900. Through the comparison and contrast of three progressive dimensions about cinematic language, humanism paradox and philosophical connotations, the paper demonstrates the importance of a specific era background it has on individual freedom and values. The greedy, cruel nature of industrial culture becomes a dominant factor leading to the annihilation of individual values and spiritual freedom in the process of objectification of people’s natural rights and desires.
- Copyright
- © 2022 The Authors. Published by Atlantis Press SARL.
- Open Access
- This is an open access article under the CC BY-NC license.
Cite this article
TY - CONF AU - Tianli Feng PY - 2022 DA - 2022/02/01 TI - A Study on the Conflicts Between Industrial Culture and Individual Value and Spiritual Freedom in The Legend of 1900 BT - Proceedings of the 2021 International Conference on Education, Language and Art (ICELA 2021) PB - Atlantis Press SP - 1024 EP - 1029 SN - 2352-5398 UR - https://doi.org/10.2991/assehr.k.220131.185 DO - 10.2991/assehr.k.220131.185 ID - Feng2022 ER -