Proceedings of the 2021 International Conference on Education, Language and Art (ICELA 2021)

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Female Art in Chinese Contemporary Art

Authors
Bingjie Yang1
1School of Fine Arts, Guangxi Arts University, Guangxi, China
*Corresponding author. Email: janeyang511@foxmail.com
Corresponding Author
Bingjie Yang
Available Online 1 February 2022.
DOI
10.2991/assehr.k.220131.179How to use a DOI?
Keywords
Female art; Feminism; Chinese contemporary art; Discourse power
Abstract

Feminism was introduced into China during the May Fourth Movement. In the 1990s, Chinese female art began to develop. From the perspective of feminism, this article analyzes the female art in Chinese contemporary art from three aspects: discourse power in contemporary art, the predicament of female artists, and the unique existence of female art. It suggests that promoting the virtuous cycle of development about female art and even the whole art field is essential.

Copyright
© 2022 The Authors. Published by Atlantis Press SARL.
Open Access
This is an open access article under the CC BY-NC license.

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Volume Title
Proceedings of the 2021 International Conference on Education, Language and Art (ICELA 2021)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
1 February 2022
ISBN
978-94-6239-527-5
ISSN
2352-5398
DOI
10.2991/assehr.k.220131.179How to use a DOI?
Copyright
© 2022 The Authors. Published by Atlantis Press SARL.
Open Access
This is an open access article under the CC BY-NC license.

Cite this article

risenwbib
TY  - CONF
AU  - Bingjie Yang
PY  - 2022
DA  - 2022/02/01
TI  - Female Art in Chinese Contemporary Art
BT  - Proceedings of the 2021 International Conference on Education, Language and Art (ICELA 2021)
PB  - Atlantis Press
SP  - 993
EP  - 996
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.220131.179
DO  - 10.2991/assehr.k.220131.179
ID  - Yang2022
ER  -