Cultural Identity in the Deep Sea (2023): A Study of “Particle Ink Painting” Technology in Chinese Animation

DOI

10.2991/978-2-38476-138-8_8How to use a DOI?

Keywords

Cultural Identity; Chinese Animation Technology; Ink Painting Technology

Abstract

This essay examines the role of cultural identity in the 2023 animated film “The Deep Sea,” which employs the innovative “particle ink painting” technology. The study investigates the connections between cultural identity, Chinese animation technology, and ink painting technology, highlighting the importance of maintaining cultural identity through advanced technological mediums. Utilizing a qualitative research methodology, the essay analyzes the film and its techniques, ultimately concluding that “particle ink painting” technique in “Deep Sea” provides a novel aesthetic, its limitations underscore the importance of ensuring that technological advances in animation should not only offer visual appeal but also seamlessly integrate with the storyline and character development.

Copyright

© 2023 The Author(s)

Open Access

Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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TY  - CONF
AU  - Yuan Wei
AU  - Vimala Perumal
AU  - Roopesh Sitharan
PY  - 2023
DA  - 2023/11/16
TI  - Cultural Identity in the Deep Sea (2023): A Study of “Particle Ink Painting” Technology in Chinese Animation
BT  - Proceedings of the 3rd International Conference on Creative Multimedia 2023 (ICCM 2023)
PB  - Atlantis Press
SP  - 77
EP  - 90
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-138-8_8
DO  - 10.2991/978-2-38476-138-8_8
ID  - Wei2023
ER  -