A Brief Analysis of the Role of Primitive Religion in the Traditional Oroqen Dance

DOI

10.2991/iccessh-19.2019.432How to use a DOI?

Keywords

religion; traditional dance; role

Abstract

Traditional Oroqen dance has been transformed with the changes of social production, lifestyle and social ideology when it continued to develop to now. However, the essence of the nation still exists, which has not been changed. The Shaman ritual forms and movements of the original religious dance style are mixed with their hunting actions and living production habits. After the baptism of the long history, due to the improvement of people's production and living standards and improvement of the people's cultural literacy, the demand for national culture has also changed. The Oroqen national traditional dance gradually evolved from the original style to the current ancient Gulun Muta, which was passed down and carried forward by generations. The traditional dance of Oroqen has regional and territorial characteristics and has a unique national culture. It has not only retained the ideology of primitive religion, but also reflects the beautiful yearning for today's life and the development of China's excellent traditional culture.

Copyright

© 2019, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Rui Zhang
AU  - Weibo Dang
PY  - 2019/07
DA  - 2019/07
TI  - A Brief Analysis of the Role of Primitive Religion in the Traditional Oroqen Dance
BT  - Proceedings of the 4th International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2019)
PB  - Atlantis Press
SP  - 2021
EP  - 2023
SN  - 2352-5398
UR  - https://doi.org/10.2991/iccessh-19.2019.432
DO  - 10.2991/iccessh-19.2019.432
ID  - Zhang2019/07
ER  -