Analysis of Lin Fengmian's Paintings from the Perspective of Bryson's Semiotics Theory

DOI

10.2991/iccessh-19.2019.189How to use a DOI?

Keywords

Bryson; tradition; Lin Fengmian; Chinese art history

Abstract

Norman Bryson regards art as a "symbol" and regards art history as a history of conflicting transformations within the symbolic interior, which helps to locate the special examples of art history that cannot be explained by the “history of the visual style”. In comparison, the study of Chinese art history is still mostly based on the method of social history. From this point, the semiotic perspective of Bryson's study of art history undoubtedly has positive practical significance for the study of Chinese contemporary art theory.

Copyright

© 2019, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Jing Wang
PY  - 2019/07
DA  - 2019/07
TI  - Analysis of Lin Fengmian's Paintings from the Perspective of Bryson's Semiotics Theory
BT  - Proceedings of the 4th International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2019)
PB  - Atlantis Press
SP  - 839
EP  - 841
SN  - 2352-5398
UR  - https://doi.org/10.2991/iccessh-19.2019.189
DO  - 10.2991/iccessh-19.2019.189
ID  - Wang2019/07
ER  -