One Conception, Two Worlds A Comparative Study of Styles of Claude Monet and Huang Binhong
Authors
Ruizhen Feng, Rong Zhuang, James Chen
Corresponding Author
Ruizhen Feng
Available Online June 2017.
- DOI
- 10.2991/iccessh-17.2017.127How to use a DOI?
- Keywords
- Impressionists; formatting; style; styling; inser
- Abstract
Impressionists emphasize thin but visible brush strokes, open composition, accurate depiction of light in its changing qualities and ordinary subject matter. Despite differences in cultural and artistic tradition, an in-depth comparison of Monet's (1840-1926) "Water Lilies" and Huang Binhong's (1865-1955) "Mountains and Rivers" shed light on the crucial elements of perception and experience as well as unusual visual angles that both artists embraced in their paintings.
- Copyright
- © 2017, the Authors. Published by Atlantis Press.
- Open Access
- This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).
Cite this article
TY - CONF AU - Ruizhen Feng AU - Rong Zhuang AU - James Chen PY - 2017/06 DA - 2017/06 TI - One Conception, Two Worlds A Comparative Study of Styles of Claude Monet and Huang Binhong BT - Proceedings of the 2nd International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2017) PB - Atlantis Press SP - 518 EP - 521 SN - 2352-5398 UR - https://doi.org/10.2991/iccessh-17.2017.127 DO - 10.2991/iccessh-17.2017.127 ID - Feng2017/06 ER -