Treatment of Sound in Contemporary Art Music: At the Examples of Works by Ukrainian Composers

DOI

10.2991/assehr.k.200907.048How to use a DOI?

Keywords

contemporary art music, sound, noise sound, integral serialism, extended techniques, “Vocerumori” by Anna Korsun, “Ars naturalis” by Oleg Bezborodko

Abstract

This article reviews the approaches to work with sound in contemporary art music. These approaches are studied from the point of view of the most widespread conceptions of sound treatment. From many existing ones at our time the attention in the article is paid to two. The first conception is defined as sound creation and includes all methods of composer’s work with new (non-musical) sound. The second conception is defined as sound studying and connected with electro-acoustical experiments and spectral compositional technique. The concrete variants of these conceptions realization are demonstrated on the works by Ukrainian composers of the middle generation: “Vocerumori” (2012) by Anna Korsun and “Ars naturalis” (2008) by Oleg Bezborodko.

Copyright

© 2020, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Iryna Tukova
PY  - 2020
DA  - 2020/09/07
TI  - Treatment of Sound in Contemporary Art Music: At the Examples of Works by Ukrainian Composers
BT  - Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)
PB  - Atlantis Press
SP  - 269
EP  - 276
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.200907.048
DO  - 10.2991/assehr.k.200907.048
ID  - Tukova2020
ER  -