Expansion of the Research Path of Chinese Film Theory in the Digital Age

DOI

10.2991/assehr.k.200907.097How to use a DOI?

Keywords

Chinese film theory, the digital age, path of film research

Abstract

In the era of globalization and digital culture marked by the Internet, big data, cloud computing, virtual reality, artificial intelligence, etc., technological revolution and media innovation have prompted the development of current film theory to turn to the focus on ontology again, and rethink “What are the movies of the digital era?” and “What might the movie become?”. At the same time, the digital age has also brought about a shift in the paradigm of film research, recognizing the characteristics and advantages of films in the digital age from the perspective of the evolution of the film itself, combining new paths of film research methods, and exploring new possibilities and values for the development of Chinese film. It is expected that film theory can form a new interactive relationship with film creation in the digital era and play a leading role of theory so as to build benign film ecology.

Copyright

© 2020, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Dunmin Shi
PY  - 2020
DA  - 2020/09/07
TI  - Expansion of the Research Path of Chinese Film Theory in the Digital Age
BT  - Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020)
PB  - Atlantis Press
SP  - 541
EP  - 545
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.200907.097
DO  - 10.2991/assehr.k.200907.097
ID  - Shi2020
ER  -