Peculiarities of G. Ginzburg’s Pedagogical Principles Formation in the Context of His Performing Work
Authors
Rimma Ulyanova
Corresponding Author
Rimma Ulyanova
Available Online December 2018.
- DOI
- 10.2991/icassee-18.2018.168How to use a DOI?
- Keywords
- pedagogical principals; performing art; teacher and musician; mastery; content
- Abstract
The article reveals the problems in the sphere of musical pedagogy and performance. Theoretical works in the sphere of general and musical pedagogy and piano performance are presented. Research of G. Ginzburg’s performing art based on archive materials was carried out. Pedagogical principals of the outstanding pianist and teacher of the XX century were analyzed. His performing and pedagogical writing was characterized to reveal specific features of their formation which played an important role in emergence of native musical pedagogy and performance.
- Copyright
- © 2018, the Authors. Published by Atlantis Press.
- Open Access
- This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).
Cite this article
TY - CONF AU - Rimma Ulyanova PY - 2018/12 DA - 2018/12 TI - Peculiarities of G. Ginzburg’s Pedagogical Principles Formation in the Context of His Performing Work BT - Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018) PB - Atlantis Press SP - 829 EP - 832 SN - 2352-5398 UR - https://doi.org/10.2991/icassee-18.2018.168 DO - 10.2991/icassee-18.2018.168 ID - Ulyanova2018/12 ER -