Study on the Oriental Aesthetic Value of “Eternal Love” Under the Receptional Aesthetics of Film

DOI

10.2991/icassee-18.2018.159How to use a DOI?

Keywords

receptional aesthetics; expectation horizon; aesthetic acceptance; "Eternal Love"

Abstract

Receptional aesthetics is a new methodology proposed by RH Jauss in literary studies in the 1960s. On this basis, in the early 1970s, he combined the filmology of receptional aesthetics together with audience study, opened the prelude of film receptional aesthetics research and he proposed a very unique methodology. This article takes the film receptional aesthetics as principle, deeply analyzes the narrative theme and cultural connotation of the television work "Eternal Love" which adapted from the online novel with the same name, and makes meticulous interpretation of the audience's expectation and aesthetics as well as other aspects, aims to explore the aesthetic value and aesthetic taste of the traditional Chinese culture implied in the work.

Copyright

© 2018, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Juan Qian
PY  - 2018/12
DA  - 2018/12
TI  - Study on the Oriental Aesthetic Value of “Eternal Love” Under the Receptional Aesthetics of Film
BT  - Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018)
PB  - Atlantis Press
SP  - 792
EP  - 796
SN  - 2352-5398
UR  - https://doi.org/10.2991/icassee-18.2018.159
DO  - 10.2991/icassee-18.2018.159
ID  - Qian2018/12
ER  -