Study on the Formation of Copyright in Music in Germany and in Russia

DOI

10.2991/icassee-18.2018.141How to use a DOI?

Keywords

composer; copyright; privilege; law; publisher

Abstract

The article is devoted to the question of the formation of Russian and German copyright of musical works. It considers the system of privileges as a source of copyright, presents the chronology of the emergence of copyright laws in Russia and Germany in the XIX century. The work also includes an analysis of correspondence between Germany and Russia on copyright issues in connection with the Bern Convention of 1886.The main material for the article was sources and literature from the funds of German and Russian archives and libraries.

Copyright

© 2018, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Yana Ferran
PY  - 2018/12
DA  - 2018/12
TI  - Study on the Formation of Copyright in Music in Germany and in Russia
BT  - Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018)
PB  - Atlantis Press
SP  - 706
EP  - 710
SN  - 2352-5398
UR  - https://doi.org/10.2991/icassee-18.2018.141
DO  - 10.2991/icassee-18.2018.141
ID  - Ferran2018/12
ER  -