The Aesthetic Unconsciousness of Flower Images in Che Yangao's Poem

DOI

10.2991/icassee-18.2018.32How to use a DOI?

Keywords

Che Yangao; image; flower; unconsciousness

Abstract

The poet Che Yangao selects and applies a large number of traditional aesthetic image, flowers in poetry creation, which can be roughly divided into two main tones and four color systems. One is a series of warm tones represented by red and yellow, and the other is a series of cool tones represented by white and purple. The images of Che Yangao's poems describe the warmth and gray of life at the same time. It shows a balance in visual effects and emotional restraint, which makes the overall poetic style show a kind of gentle warmth with cold and warm tones. The poet is drawn by an aesthetic unconsciousness in the process of creation. This unconsciousness includes both the universal spirit and historical tradition of the collective unconsciousness, as well as the individual unconsciousness influenced by the poet's life experience. Because of the influence of the collective unconsciousness, the poet will prefer the flower image in the selection of the image; because of the influence of individual unconsciousness, the poet especially favors the lotus in many flower images. The unconsciousness behind these image practice exploration and image selection has important demonstration significance for the destruction and reconstruction of the aesthetic image of contemporary poetry, showing the poet's unique aesthetic perspective and aesthetic expression.

Copyright

© 2018, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Guicheng Zhuang
AU  - Han Yan
PY  - 2018/12
DA  - 2018/12
TI  - The Aesthetic Unconsciousness of Flower Images in Che Yangao's Poem
BT  - Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018)
PB  - Atlantis Press
SP  - 159
EP  - 163
SN  - 2352-5398
UR  - https://doi.org/10.2991/icassee-18.2018.32
DO  - 10.2991/icassee-18.2018.32
ID  - Zhuang2018/12
ER  -