Islamic Art as a Representation of Religious Society

DOI

10.2991/978-2-38476-100-5_60How to use a DOI?

Keywords

Islamic Art; Religious Society; Representation

Abstract

Tasikmalaya Regency, which is popular with religious life, is used as the basis for the formation of performing arts so that art cannot be separated from Islamic religious values. For instance, rudat, terebang gebes, terebang sejak, terebang gembrung, Jingkrung and Bangreng. The purpose of writing this article is to describe Islamic art as a representation of a religious society. This research was conducted through a qualitative approach with a descriptive analysis method. Therefore, the attention is focused on actual problems as they were at the time the research was carried out. The technique of collecting data was carried out through observation, interview, and documentation. The results and findings show that there are various types of Islamic art in Tasikmalaya as a description of the perspectives and habits of the local community. It can be seen from the movements that are presented as not erotic, the song lyrics are filled with good advice, prayers, gratitude, and praises to Allah and the Messenger of Allah SWT.

Copyright

© 2024 The Author(s)

Open Access

Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Download article (PDF)

TY  - CONF
AU  - Asti Tri Lestari
AU  - Juju Masunah
AU  - Tati Narawati
PY  - 2023
DA  - 2023/09/28
TI  - Islamic Art as a Representation of Religious Society
BT  - Proceedings of the Fifth International Conference on Arts and Design Education (ICADE 2022)
PB  - Atlantis Press
SP  - 460
EP  - 466
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-100-5_60
DO  - 10.2991/978-2-38476-100-5_60
ID  - Lestari2023
ER  -