The Art Economic Integration: Analysis on the Status Quo of Public Art Under Commercial Integration

Taking Dale Chihuly’s Glass Installation as an Example

DOI

10.2991/assehr.k.210813.036How to use a DOI?

Keywords

Commercial integration, Blown glass, Public art, Cultural value

Abstract

Dale Chihuly uses glass to create a large number of large-scale public art installations, including interior furnishings to landmark buildings and to branded entrepreneurial industrial cooperation. And the glass art has achieved “art economic integration” in methods and practices. Chihuly’s art team is a knowledge- and capital-intensive organization that combines the production efficiency of blown glass with the symbolism of glass products under the form of public art, and focuses on the boundaries of the integration of commerce and art. This kind of artistic practice constitutes a super mixture integrating “value symbols, knowledge integration, technology inheritance, and economic manipulation”, and also forms a cultural entrepreneurial industrial chain integrating art and economics.

Copyright

© 2021, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Hui Tang
PY  - 2021
DA  - 2021/08/17
TI  - The Art Economic Integration: Analysis on the Status Quo of Public Art Under Commercial Integration
BT  - Proceedings of the 7th International Conference on Arts, Design and Contemporary Education (ICADCE 2021)
PB  - Atlantis Press
SP  - 205
EP  - 209
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.210813.036
DO  - 10.2991/assehr.k.210813.036
ID  - Tang2021
ER  -