The Production and Viewing of Korean Dramas From the Perspective of Receptional Aesthetics

Taking Surrealist Elements in Korean Dramas as Examples

DOI

10.2991/assehr.k.210106.022How to use a DOI?

Keywords

receptional aesthetics, surrealism, Korean dramas

Abstract

This article mainly starts from the theoretical perspective of receiving aesthetics, and analyzes and explores the popular surrealist elements in Korean dramas in recent years. The main contents of the study are: the spectacle aesthetic experience brought by “surrealism”, and the audience’s viewing experience and the horizon of expectations. The study found that the audience’s aesthetic experience of film and television works will also change correspondingly with different acceptance schemes; the cognitive schemes accumulated by the audience form their directional expectations; surrealist Korean dramas have realized the call to audiences of previous Korean dramas in terms of style and subject matter, and formed a unique “horizon of expectations”.

Copyright

© 2021, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Xinyang Li
AU  - Yue Qi
PY  - 2021
DA  - 2021/01/06
TI  - The Production and Viewing of Korean Dramas From the Perspective of Receptional Aesthetics
BT  - Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020)
PB  - Atlantis Press
SP  - 109
EP  - 113
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.210106.022
DO  - 10.2991/assehr.k.210106.022
ID  - Li2021
ER  -