Study on the Virtual and Real Processing of Spatial Performance in Joseon Dynasty’s Figure Paintings

DOI

10.2991/icadce-18.2018.90How to use a DOI?

Keywords

spatial performance; Joseon Dynasty’s figure painting; virtualness and reality

Abstract

The virtual and real performance treatment of Oriental painting has always been an important topic in the creation of Joseon Dynasty’s Figure Painting. The split-joint relation of virtualness and reality, the performance of strength and weakness not only has the importance of determining the style, but also it has its own variability. The virtual and reality echoed with each other, their combination and mutual birth will form a complex and changeable relationship. By dealing with the various relationships between the virtualness and reality, the rhythm of the ups and downs is formed in the paintings, showing a certain sense of rhythm. Of course, the formation of this sense of rhythm is closely related to the virtualness and reality processing of the physical spatial performance of Joseon Dynasty's Figure Painting, the virtualness and reality processing of color spatial performance, and the virtualness and reality processing methods of pen and ink spatial performance. To a certain extent it expresses the aesthetic concept of Yin-Yang in Joseon Dynast's Figure Paintings.

Copyright

© 2018, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Baoliang Xu
PY  - 2018/07
DA  - 2018/07
TI  - Study on the Virtual and Real Processing of Spatial Performance in Joseon Dynasty’s Figure Paintings
BT  - Proceedings of the 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018)
PB  - Atlantis Press
SP  - 427
EP  - 432
SN  - 2352-5398
UR  - https://doi.org/10.2991/icadce-18.2018.90
DO  - 10.2991/icadce-18.2018.90
ID  - Xu2018/07
ER  -