Vocal Score and Piano Score The Interaction Between Chamber Music and Vocal Music of Chinese Composers

DOI

10.2991/icadce-18.2018.29How to use a DOI?

Keywords

chamber music; vocal music; piano score; vocal score; beat; monologue; rhythm

Abstract

This paper studies the composition of Chinese composers' vocal music from the perspective of music score and piano score. The analysis shows that there are two main interactions in the vocal music works: duet, which combines and develops the reverse images (taking Busuanzi • Ode to Plum Flower as an example); the monologue, with the use of talk, resonance and commentary factors (taking Zhu Liangzhen’s Two Places as an example). The role of instrumental accompaniment in lyric songs is equally important, and sometimes it determines the ensemble relationship between singers and pianists.

Copyright

© 2018, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Download article (PDF)

TY  - CONF
AU  - Kaiyuan Deng
PY  - 2018/07
DA  - 2018/07
TI  - Vocal Score and Piano Score The Interaction Between Chamber Music and Vocal Music of Chinese Composers
BT  - Proceedings of the 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018)
PB  - Atlantis Press
SP  - 144
EP  - 147
SN  - 2352-5398
UR  - https://doi.org/10.2991/icadce-18.2018.29
DO  - 10.2991/icadce-18.2018.29
ID  - Deng2018/07
ER  -