Return and Transcendency of the Tradition. Application and Exploratory of Chinese Traditional Culture of Creation in Contemporary Product Design

DOI

10.2991/icadce-16.2016.169How to use a DOI?

Keywords

tradition; product creation; culture; product design; innovation

Abstract

Since the prevalence of the Modernism design thought, democratization of design quickly evolved into similarity, inter-cultural heterogeneity start to be very precious. Although, with the continued deepening of people's design-conscious, awakening of nationalization design happened in some local designers. But from the overall look of the Chinese product design, there is still not a unique design impression in the Global context. Therefore, take the forerunner as a benchmark, continue to learn good tradition, so that it can cross cultural boundaries and communicate with other civilizations' design concept. The Chinese product design exhibits unique cultural identity in the background of globalization, and finally achieves the inheritance and innovation of product design and traditional culture of creation.

Copyright

© 2016, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Jing Qian
PY  - 2016/05
DA  - 2016/05
TI  - Return and Transcendency of the Tradition. Application and Exploratory of Chinese Traditional Culture of Creation in Contemporary Product Design
BT  - Proceedings of the 2016 International Conference on Arts, Design and Contemporary Education
PB  - Atlantis Press
SP  - 706
EP  - 710
SN  - 2352-5398
UR  - https://doi.org/10.2991/icadce-16.2016.169
DO  - 10.2991/icadce-16.2016.169
ID  - Qian2016/05
ER  -