New Illustration for Creating of the Orchid Pavilion of Yu Wenhua's Version from Aesthetic Perception
- DOI
- 10.2991/icadce-16.2016.69How to use a DOI?
- Keywords
- the Orchid Pavilion; Yu Wenhua; aesthetic perspective; new comprehension
- Abstract
The Orchid Pavilion, also called Xi Tie, was written in 353 AD the ninth year of Yonghe under the reign of Emperor Mu in East Jin Dynasty. It is a noted calligraphy that records astonishing scenes surrounding the Orchid Pavilion on Shanyin and the great joy of gathering to party. Meanwhile, it fully expresses thoughts of Wang Xizhi about the unexpected changes that would happen for human life and death. The Orchid Pavilion moves numerous Chinese descendents by its delicate content and refined writing system. Yu Wenhua combines this masterpiece with modern vocal music to create a special piece of musical work, which is also propagation for Chinese ethic calligraphy. This thesis analyzes the main ideology, the creating process and practical meaning of the Orchid Pavilion from the aspect of aesthetics.
- Copyright
- © 2016, the Authors. Published by Atlantis Press.
- Open Access
- This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).
Cite this article
TY - CONF AU - Guangzhuang Yu PY - 2016/05 DA - 2016/05 TI - New Illustration for Creating of the Orchid Pavilion of Yu Wenhua's Version from Aesthetic Perception BT - Proceedings of the 2016 International Conference on Arts, Design and Contemporary Education PB - Atlantis Press SP - 305 EP - 308 SN - 2352-5398 UR - https://doi.org/10.2991/icadce-16.2016.69 DO - 10.2991/icadce-16.2016.69 ID - Yu2016/05 ER -