The Probe into the Psychological Analysis Painting at the End of 20th Century

DOI

10.2991/hsmet-17.2017.140How to use a DOI?

Keywords

psychoanalytic painting, human spirit

Abstract

The term "psychoanalytic painting" is a collective term for the painting art represented by Chao Ge, Mo also, Mao Yan, etc. by art critics of the 1990s. It main refers that their works are no longer portraits of a certain character, but rather the expression of psychological state of contemporary people. By the word "psychological analysis", contains the psychological state of uncertainty of the future, reflecting a state of mind or emotions at the end of the century. Art critic Zou Yuejin once commented: "Psychological analysis of painting, also known as psychological realism painting, in the history of contemporary Chinese art, Chao Ge is the first artist to explore and expression the deep psychological image from the perspective of psychological analysis. Chao Ge created a precedent of Chinese psychological analysis of painting art, or psychological realism and it has a unique value and significance in the history of contemporary Chinese art. In fact, this argument is biased, we cannot absolutely sure Chaogo previous paintings without any psychological tendency to explore, but need to be sure that the psychological analysis of painting has gradually out of the narrow, closed individual experience and complex, and the "record of psychological reality" is no longer simply a personal experience or personal feelings of simple catharsis, but rather into a state of introspection of the cultural statements, it is full of contradictions social and cultural reality of a proper reflection. Psychoanalysis painting is not simply to capture the likeness or seemingly portrait of a certain character, but to mash up social, historical, cultural, and other related factors. The psychological portrait of the whole society depicts the spiritual portraits of contemporary society. Psychological analysis painting is closely around the "painting and spirit", the presence of the spirit makes the existence of art have a meaning.

Copyright

© 2017, the Authors. Published by Atlantis Press.

Open Access

This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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TY  - CONF
AU  - Hanying Jiang
AU  - Xianfei Liang
PY  - 2017/02
DA  - 2017/02
TI  - The Probe into the Psychological Analysis Painting at the End of 20th Century
BT  - Proceedings of the 2017 International Conference on Humanities Science, Management and Education Technology (HSMET 2017)
PB  - Atlantis Press
SP  - 732
EP  - 737
SN  - 2352-5398
UR  - https://doi.org/10.2991/hsmet-17.2017.140
DO  - 10.2991/hsmet-17.2017.140
ID  - Jiang2017/02
ER  -