The Change Analysis of Qin Shi Huang’s Image Transformation in Media under New Media Context

Tianchen Chen; Haiyang Niu; Xin Zhao; Ning Chen; Jinyi Zhang

doi:10.2991/978-2-38476-344-3_48

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The Change Analysis of Qin Shi Huang’s Image Transformation in Media under New Media Context

Authors

Tianchen Chen¹^{, *}, Haiyang Niu², Xin Zhao³, Ning Chen⁴, Jinyi Zhang⁵

¹Lecturer, School of Art, Tianjin Vocational and Technical Normal University, 300222, Tianjin, China

²Postgraduate student, Tianjin Vocational and Technical Normal University, 300222, Tianjin, China

³Postgraduate student, Tianjin Vocational and Technical Normal University, 300222, Tianjin, China

⁴Professor, School of Journalism and Communication, Nankai University, 300071, Tianjin, China

⁵Lecturer, School of Economics and Management, Tianjin University of Technology and Education, 300222, Tianjin, China

^*Corresponding author. Email: chentianchen@tute.edu.cn

Corresponding Author

Tianchen Chen

Available Online 31 December 2024.

DOI: 10.2991/978-2-38476-344-3_48 How to use a DOI?
Keywords: The First Emperor of Qin; film and television image; historical figures
Abstract: The process of shaping self-identity is closely tied to the inheritance of historical culture, which helps form national identity. Historical dramas, serving as a bridge between real life and historical memory, play a crucial role in this. Qin Shi Huang, a prominent figure in Chinese history, poses unique challenges for modern film and TV creators. In today’s digital age, it’s essential to portray him within the framework of historical accuracy and social consensus, while avoiding novelty-seeking and historical nihilism^[1]. The portrayal of Qin Shi Huang evolves with societal changes, reflecting shifts in collective memory, aesthetics, and values, making his image both symbolic and reflective of broader historical narratives.
Open Access: Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title: Proceedings of the 2024 International Conference on Humanities, Arts, Education and Social Development (HAESD 2024)
Series: Advances in Social Science, Education and Humanities Research
Publication Date: 31 December 2024
ISBN: 978-2-38476-344-3
ISSN: 2352-5398
DOI: 10.2991/978-2-38476-344-3_48 How to use a DOI?
Open Access: Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

ris enw bib

TY  - CONF
AU  - Tianchen Chen
AU  - Haiyang Niu
AU  - Xin Zhao
AU  - Ning Chen
AU  - Jinyi Zhang
PY  - 2024
DA  - 2024/12/31
TI  - The Change Analysis of Qin Shi Huang’s Image Transformation in Media under New Media Context
BT  - Proceedings of the 2024 International Conference on Humanities, Arts, Education and Social Development (HAESD 2024)
PB  - Atlantis Press
SP  - 405
EP  - 411
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-344-3_48
DO  - 10.2991/978-2-38476-344-3_48
ID  - Chen2024
ER  -

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