Proceedings of the 2024 International Conference on Humanities, Arts, Education and Social Development (HAESD 2024)

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An Analysis of the National Characteristics and Interpretation of Li Yinghai’s Piano Suite ‘Acrobatic Sketch’

Authors
Ge Zhang1, *
1Guangxi University of Science and Technology, No. 2, Wenchang Road, Chengzhong District, Liuzhou, Guangxi Zhuang Autonomous Region, 545000, China
*Corresponding author. Email: 17360791219@163.com
Corresponding Author
Ge Zhang
Available Online 31 December 2024.
DOI
10.2991/978-2-38476-344-3_27How to use a DOI?
Keywords
Li Yinghai; piano music; ‘Acrobatic Sketch’; Chinese traditional acrobatics
Abstract

Integrating Chinese traditional acrobatics into piano adaptations is not only an innovative attempt in the field of Chinese piano art but also a rich expansion of music themes. Using the Western piano to interpret the unique artistic conception and artistic characteristics of Chinese traditional music not only greatly enhances the expressive force and artistic charm of piano music but also injects new vitality into the inheritance and development of Chinese traditional culture and promotes the prosperity and development of Chinese national music. ‘Acrobatic Sketch’ is a piano suite for children composed by the Chinese pianist and composer Li Yinghai in 1986; this work is a combination of figurative, artistic and technical elements. The work not only has melodic features and vitality of musical emotion but also integrates lively dynamic rhythms. These rich musical elements are aimed at stimulating the nature of children, arousing their interest in learning to play the piano and providing the experience of the unique charm of Chinese piano works. This paper takes the piano music ‘Acrobatic Sketch’ as the research object.

Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 2024 International Conference on Humanities, Arts, Education and Social Development (HAESD 2024)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
31 December 2024
ISBN
978-2-38476-344-3
ISSN
2352-5398
DOI
10.2991/978-2-38476-344-3_27How to use a DOI?
Copyright
© 2024 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

risenwbib
TY  - CONF
AU  - Ge Zhang
PY  - 2024
DA  - 2024/12/31
TI  - An Analysis of the National Characteristics and Interpretation of Li Yinghai’s Piano Suite ‘Acrobatic Sketch’
BT  - Proceedings of the 2024 International Conference on Humanities, Arts, Education and Social Development (HAESD 2024)
PB  - Atlantis Press
SP  - 235
EP  - 242
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-38476-344-3_27
DO  - 10.2991/978-2-38476-344-3_27
ID  - Zhang2024
ER  -