Proceedings of the 2nd International Conference on Economics and Management, Education, Humanities and Social Sciences (EMEHSS 2018)

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The Origin of Calligraphy of Jian Theory and Chinese Painting

Authors
Yaping Yang
Corresponding Author
Yaping Yang
Available Online March 2018.
DOI
10.2991/emehss-18.2018.57How to use a DOI?
Keywords
calligraphy, Chinese painting, origin.
Abstract

Calligraphy is traditional and ancient Chinese culture, and it is mutually affected and influenced by Chinese painting during the thousand-year development and inheritance. "The same origin of calligraphy and painting" means the close relationship of this sister arts. This paper made an attempt to discuss the same origin of calligraphy and painting and their respective distinctive aesthetic charm.

Copyright
© 2018, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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Volume Title
Proceedings of the 2nd International Conference on Economics and Management, Education, Humanities and Social Sciences (EMEHSS 2018)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
March 2018
ISBN
978-94-6252-476-7
ISSN
2352-5398
DOI
10.2991/emehss-18.2018.57How to use a DOI?
Copyright
© 2018, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Cite this article

risenwbib
TY  - CONF
AU  - Yaping Yang
PY  - 2018/03
DA  - 2018/03
TI  - The Origin of Calligraphy of Jian Theory and Chinese Painting
BT  - Proceedings of the 2nd International Conference on Economics and Management, Education, Humanities and Social Sciences (EMEHSS 2018)
PB  - Atlantis Press
SP  - 277
EP  - 281
SN  - 2352-5398
UR  - https://doi.org/10.2991/emehss-18.2018.57
DO  - 10.2991/emehss-18.2018.57
ID  - Yang2018/03
ER  -