Creative Programming Design Research Based on Generative Art with Processing

DOI

10.2991/978-94-6463-046-6_102How to use a DOI?

Keywords

Generative Art; Creative Programming; Computer-Aided Design; Computer Graphics And Multimedia

Abstract

In the 1960s, in the context of computer new media, the creative form of “generating art” is similar to the “technological singularity” referred to today, which refers to works of art created by computer software algorithms or by random autonomous process algorithms. This paper adopts the methods of literature analysis and case study. The main innovation lies in the use of creative programming methods to deal with visualized picture language, explore new forms of computer-aided design visualization, improve the understanding of generative art by non-computer science majors. The implementation path uses Processing to complete instructions from conceptual artist Sol Lewitt”s wall-painting work at the Boston Museum, quantifying elements of points and lines to match the structure of the algorithm, comparing code with traditional manual work in the process. Experimental results show the complexity of the problem, the autonomy of the machine comes from the limitation of artificial rules, and the generative restoration depends on the preset processing of natural language compilation. Having the ability to reuse code does not mean thinking creatively programming at the same time, and the ever-changing challenges of digital survival need to be addressed in the diverse expansion of business scenarios.

Copyright

© 2023 The Author(s)

Open Access

Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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TY  - CONF
AU  - Jian Rao
AU  - Chuqi Qiu
PY  - 2022
DA  - 2022/12/17
TI  - Creative Programming Design Research Based on Generative Art with Processing
BT  - Proceedings of the 2022 2nd International Conference on Computer Technology and Media Convergence Design (CTMCD 2022)
PB  - Atlantis Press
SP  - 892
EP  - 901
SN  - 2352-538X
UR  - https://doi.org/10.2991/978-94-6463-046-6_102
DO  - 10.2991/978-94-6463-046-6_102
ID  - Rao2022
ER  -