Proceedings of the 3rd Borobudur International Symposium on Humanities and Social Science 2021 (BIS-HSS 2021)

The Existence of Kembang Sembah Dance as Welcoming Dance by Sasakese Community of Lombok in Nusa Tenggara Barat

Authors
Yani Timor Prajawati1, *, Tika Puspita Sari2
1IAHN Gde Pudja Mataram, Indonesia
2Universitas Alma Ata Yogyakarta, Indonesia
*Corresponding author. Email: timorprajawati59@gmail.com
Corresponding Author
Yani Timor Prajawati
Available Online 29 December 2022.
DOI
10.2991/978-2-494069-49-7_49How to use a DOI?
Keywords
Existence; Kembang Sembah Dance; Traditional Art
Abstract

The focus of this research is to look for factors that influence the existence of Kembang Sembah Dance and the right solution to popularize it in the world of performing arts, especially on the island of Lombok and in Indonesia in general. In addition to uncovering factors that affect the existence of Kembang Sembah dance, the purpose of this study is to compile a dance script for the dance of the flower dance. The preparation of dance script is considered important considering the need for written documentation, in addition to capturing the work of written documents can be used in the process of education of Kembang Sembah dance to the next generation. This research uses historical methods. Historical writing not only reveals events chronologically, but the need for a sharp study and analysis supported by relevant theories. Historical research has five stages, namely: (1) selection of topics, (2) collection of sources, (3) verification (historical criticism and validity of sources), (4) interpretation: analysis and synthesis, (5) hysterography. This research was successful in discovering that Kembang Sembah Dance was particularly owned by the community of Lombok, which was Sasak ethnic, the development was affected by the role from several parts of the society especially some dance artists in Lombok. Another thing found in this research was that the creator of Kembang Sembah Dance was not the original Sasak artist but I Ketut Astika from Singaraja Bali, who has passed away, but in the creation proses Kembang Sembah Dance kept following the basic movements of the existing Sasak dance. The other factors causing the threat of Kembang Sembah Dance were the monotonous dance movements and the movements could only be interpreted by Sasak’s community as the owner of Kembang Sembah Dance.

Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

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Volume Title
Proceedings of the 3rd Borobudur International Symposium on Humanities and Social Science 2021 (BIS-HSS 2021)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
29 December 2022
ISBN
978-2-494069-49-7
ISSN
2352-5398
DOI
10.2991/978-2-494069-49-7_49How to use a DOI?
Copyright
© 2023 The Author(s)
Open Access
Open Access This chapter is licensed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.

Cite this article

TY  - CONF
AU  - Yani Timor Prajawati
AU  - Tika Puspita Sari
PY  - 2022
DA  - 2022/12/29
TI  - The Existence of Kembang Sembah Dance as Welcoming Dance by Sasakese Community of Lombok in Nusa Tenggara Barat
BT  - Proceedings of the 3rd Borobudur International Symposium on Humanities and Social Science 2021 (BIS-HSS 2021)
PB  - Atlantis Press
SP  - 295
EP  - 299
SN  - 2352-5398
UR  - https://doi.org/10.2991/978-2-494069-49-7_49
DO  - 10.2991/978-2-494069-49-7_49
ID  - Prajawati2022
ER  -