Discussions on the Performance Techniques of Pipa Song “Yunxiang·Huaxiang”

DOI

10.2991/assehr.k.220205.013How to use a DOI?

Keywords

Pipa; “Yunxiang·Huaxiang”; Performance techniques; Performance artistry

Abstract

“Yunxiang·Huaxiang” is a piece of pipa work with distinctive classical characteristics. It is inspired by Li Bai’s poem “Qing Ping Tiao”. It borrows the image of Yang Yuhuan to depict the persistent pursuit of love by women in the Tang Dynasty. The performance skills of “Yunxiang·Huaxiang” are also representative. Through the analysis of the music scores of the work, this article emphasizes the use of flipping and picking, tremolo and sweeping and whisking in performance, and puts forward the countermeasures of combining pipa music with the orchestra, keyboard, and traditional Chinese musical instruments to enhance the artistic quality of the work. The use of the three core techniques and their artistic expression can fully express the connotation and extension of the music.

Copyright

© 2022 The Authors. Published by Atlantis Press SARL.

Open Access

This is an open access article under the CC BY-NC license.

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TY  - CONF
AU  - Dongqing Liu
PY  - 2022
DA  - 2022/02/15
TI  - Discussions on the Performance Techniques of Pipa Song “Yunxiang·Huaxiang”
BT  - Proceedings of the 2021 Conference on Art and Design: Inheritance and Innovation (ADII 2021)
PB  - Atlantis Press
SP  - 75
EP  - 79
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.220205.013
DO  - 10.2991/assehr.k.220205.013
ID  - Liu2022
ER  -