Dislocation and Disembodiment of Interactive Body Image in Neo-Pop Art

DOI

10.2991/assehr.k.220205.007How to use a DOI?

Keywords

Neo-Pop; Body image; Interactivity; Dislocation; Disembodiment

Abstract

With the accelerated development and popularity of digital media technology, Neo-Pop Art has expanded individuals’ perceptions of the body and widened the artistic language of representing the body image. The transformation in body view stimulates the multidimensional attitude to observe the body and transcends the expression of the body in conventional aesthetic approaches. Therefore, the body image is slowly dislocated and disembodied, and a diverse artistic pattern is revealed under the convergence of technical rationality and artistic sensibility. This research concentrates on the interactive body image in Neo-Pop Art, comprising contemporary artists Yayoi Kusama and Kenny Scharf. At the same time, comparing with the expressive language of image appropriation in classic Pop Art, this paper discovers the logical clues of the transformation of the body image from being classified to being dislocated and disembodied in Neo-Pop Art. This presents the variation in how the subject is constructed in art creation and encourages the “turn” in the development of art language.

Copyright

© 2022 The Authors. Published by Atlantis Press SARL.

Open Access

This is an open access article under the CC BY-NC license.

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TY  - CONF
AU  - Shuwen Yang
PY  - 2022
DA  - 2022/02/15
TI  - Dislocation and Disembodiment of Interactive Body Image in Neo-Pop Art
BT  - Proceedings of the 2021 Conference on Art and Design: Inheritance and Innovation (ADII 2021)
PB  - Atlantis Press
SP  - 41
EP  - 45
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.220205.007
DO  - 10.2991/assehr.k.220205.007
ID  - Yang2022
ER  -