Proceedings of the 2nd Annual Conference on blended learning, educational technology and Innovation (ACBLETI 2020)

Multiculturalism of Mythological Images in Batik Motifs

Case Study: Paksi Naga Liman and Warak Ngendog

Authors
Dewi Isma Aryani, Ariesa Pandanwangi, Ismet Zainal Effendi
Corresponding Author
Dewi Isma Aryani
Available Online 17 June 2021.
DOI
10.2991/assehr.k.210615.096How to use a DOI?
Keywords
Acculturation, Ornaments, Paksi Naga Liman, Symbols, Warak Ngendog
Abstract

Cirebon is a city on the north coast of Java which had one of the largest ports in the archipelago in the 1300s. This affected the number of immigrants, from traders, merchants, and so on, which led to acculturation of culture, beliefs, and descent in Cirebon City. One form of cultural acculturation is found in the Keraton Kanoman in Cirebon in the form of a symbol of Paksi Naga Liman. Like another city on the north coast of Java, Semarang, which is also rich in cultural acculturation is reflected in the mascot form of a mythological creature, Warak Ngendog. From the two forms of mythological creatures, there are similarities in the form of the concepts of hybridity and multiculturalism. Paksi Naga Liman and Warak Ngendog as symbols of cultural acculturation are also found in the decorative motifs of Cirebon batik and Semarang batik. The depiction of the form of the two mythological animals is based on aesthetic aspects and elements of the spirituality of the community’s life. This research uses qualitative methods through historical literature studies and folklore studies. This research aims to examine and compare the aesthetic and design elements in the form of ornaments, colors, and the philosophical background of the creation of the Paksi Naga Liman and Warak Ngendog motifs as mythological creatures. The results of this research will then be used as a guideline for the creation and development of decorative styles in batik motifs that represent fictional four-legged mythological creatures that are enigmatic, unique, aesthetic, and expressive because there are acculturation of Javanese, Arabic, Hinduism, and Chinese cultures as a reflection of messages of spirituality and values harmony of multicultural society.

Copyright
© 2021, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

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Volume Title
Proceedings of the 2nd Annual Conference on blended learning, educational technology and Innovation (ACBLETI 2020)
Series
Advances in Social Science, Education and Humanities Research
Publication Date
17 June 2021
ISBN
978-94-6239-394-3
ISSN
2352-5398
DOI
10.2991/assehr.k.210615.096How to use a DOI?
Copyright
© 2021, the Authors. Published by Atlantis Press.
Open Access
This is an open access article distributed under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/).

Cite this article

TY  - CONF
AU  - Dewi Isma Aryani
AU  - Ariesa Pandanwangi
AU  - Ismet Zainal Effendi
PY  - 2021
DA  - 2021/06/17
TI  - Multiculturalism of Mythological Images in Batik Motifs
BT  - Proceedings of the 2nd Annual Conference on blended learning, educational technology and Innovation (ACBLETI 2020)
PB  - Atlantis Press
SP  - 514
EP  - 519
SN  - 2352-5398
UR  - https://doi.org/10.2991/assehr.k.210615.096
DO  - 10.2991/assehr.k.210615.096
ID  - Aryani2021
ER  -